![]() Despite having the ability to talk to sea creatures, no other merfolk are able to communicate with Sea Kings. Poseidon was a Mermaid that had the power to talk to Sea Kings, enormous sea creatures capable of mass destruction. When Franky was captured by the World Government, he kept the blueprints hidden within his own cyborg body until he understood that Nico Robin, the only living person who could read the Poneglyphs and subsequently revive the Ancient Weapons, had no intention of doing so or even planned on using that power to destroy the world he subsequently burned the blueprints. Tom denied the request, and shortly afterwards handed them down to his apprentice Iceburg, who passed them on to Tom's other apprentice Cutty Flam, otherwise known as Franky, five years later in order to better hide them. At this point, Spandam sought him out in order to acquire the blueprints so that they could use Pluton to put an end to the Great Pirate Era (in reality, it was to overthrow the World Government). The blueprints were passed down from master to apprentice shipwrights for generations, and ten years prior to the main storyline were held by the fish-man carpenter, Tom, of Tom's Workers. This is the true meaning of "opening Wano's borders". In order for Pluton to be released, the walls surrounding Wano would have to be brought down. Fuji in old Wano Country, below the cavern where Wano's Road Poneglyph is currently hidden. It is currently located in a secret cavern at the foot of the submerged Mt. Fortunately, the ship was lost to history before that could happen. It was built on the island of Water 7 sometime during the Void Century, and the shipwrights kept the blueprints as a safety measure in case Pluton ever fell into the wrong hands, another one could be built to fight the existing one. Woodpeckers served as the guides who ushered dead souls along that path.While Pluton has yet to appear in the story, it has been referred to as an ancient battleship capable of massive damage and destruction. ![]() The underworld spirits controlled life and death and provided a pathway through which the souls of the dead were led on their journey to the stars. Mississippian peoples divided the universe into three realms: an upper realm of sky creatures and sky spirits like the thunderbirds, a middle realm of earth on which we live with all the other terrestrial flora and fauna, and an underworld beneath. The empty blackness beckoning from under the rock overhang presents an obvious entrance to the underworld. On the far side of the pool, a brow of rock caps a low opening. Inside, in the twilight zone lit by filtered daylight, a shelf leads around a pool of still water. ![]() An easy scramble into a sinkhole reveals the looming cave mouth. ![]() Lush eastern deciduous forests carpet the surrounding mountains. The setting of Devilstep Hollow is glorious, at the headwaters of the Sequatchie River. The panels of petroglyphs, pictographs, and mud glyphs in Devilstep Hollow tell a story related to the religious beliefs of the Mississppian people in much the same way that artwork in a modern church aims to shape the experience of visitors and open their hearts to a larger spiritual experience. One of the best and most significant examples of Indigenous dark zone cave art in the southeastern United States is found in Devilstep Hollow, where images made a thousand years ago adorn what seems to be a complete ceremonial space. ![]()
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